Wednesday, August 4, 2010
Temples and Cathedrals at George Billis Gallery
Ephraim will be exhibiting his temple and cathedral wax-resist drawings at George Billis Gallery’s new location in Chelsea, from August 31st through October 2nd. There will be a reception for the artist on Thursday, September 2nd, from 6 to 8 p.m.
New York Moments Exhibition
August 31 - October 2, 2010
Reception: Thursday, September 2nd
George Billis Gallery
521 West 26th Street, B1
New York NY 10001
phone: 212 645 2621
e-mail: Gallery@GeorgeBillis.com
www.GeorgeBillis.com
from the press release:
Temples and Cathedrals is a series of new large-scale mixed-media drawings by Ephraim Rubenstein. Executed on paper, these black and white works utilize wax as a resist for subsequent ink washes, which are then further developed in charcoal, conte and nu-pastel.
The works attempt to capture the magisterial quality of these sacred spaces. Whether walking through the ruins of the Doric temples at Paestum or Selinunte, or entering one of the great European Gothic cathedrals, we sense immediately the importance of these structures through their heroic scale, commanding spaces and attention to light.
The drawings of Greek temples not only capture the mesmerizing play of light on the rows of columns, but speak to our fascination with ruins; the evocative quality of things that survive only as fragments and that struggle for their survival right before our eyes.
In the drawings of Gothic cathedrals, the artist wished to realize the richness of both the interiors and exteriors of these massive structures; the rich ornamentation of the facades, with their stained-glass windows and gargoyles, and the breath-taking quality of the soaring interiors, as one first walks in and looks up.
These two subjects are united because not only were the religious beliefs of the Pagans gradually transformed into Christian terms, but the marbles themselves were taken from the temples and recycled for use in the cathedrals.
The human needs and striving remain the same; the stones remain the same.
Retrospective in Richond, VA
Ephraim will be having a retrospective exhibition and sale of nearly 20 works spanning a 15 year period at the Steward School in Richmond, VA. Ephraim Rubenstein: Selected Works will feature landscape and still life paintings and drawings in oil, pastel, graphite and silverpoint.
The exhibition runs from August 23 to October 1, 2010. The gallery is open Monday - Friday 8 am - 4pm and weekends by appointment. Visitors are asked to check in at the school office upon arrival. There will be a reception for the artist on Friday, September 17 from 3 to 7 pm.
Ephraim Rubenstein: Selected Works
August 23 - October 1, 2010
Reception: September 17, 3 p.m. - 7 p.m.
The Steward School
11600 Gayton Road, Richmond, Virginia
phone: (804) 740-3394
www.stewardschool.org
Saturday, June 12, 2010
Exhibition and Reception at George Billis Gallery
This summer, Ephraim will be exhibiting four cityscapes from his new series, "Silvercup" in the show New York Moments at George Billis Gallery in Chelsea. The exhibition will run from July 6 - August 14. There will be an opening reception on Thursday evening, July 8. Please note the gallery's new address.
New York Moments Exhibition
July 6 - August 14, 2010
Reception: Thursday, July 8th
George Billis Gallery
555 West 25th Street, 2nd Floor
New York NY 10001
phone: 212 645 2621
e-mail: Gallery@GeorgeBillis.com
www.GeorgeBillis.com
Monday, April 12, 2010
Contemporary National Realism Exhibition
Ephraim will be exhibiting "Books:Pile XXXIV" in the Contemporary National Realism Show at M. A. Doran Gallery in Tulsa, Oklahoma this Summer. M. A Doran is one of the best galleries in the region, and Mary Ann has placed Ephraim's work in collections in the past. The exhibition will open in mid-May. Please contact the gallery for details:
M. A. Doran Gallery
918- 748-8700
www.madorangallery.com
Thursday, February 11, 2010
Studio Art Workshops 2010
The following is a list of specialized studio art workshops that Ephraim will be offering this year through The Art Students League of New York. Class sizes will be limited.
Studio 6 Workshop in Color Spot Oil Painting
Week 1: Monday–Friday, March 1–5, 8:45 a.m.–12:30 p.m.
Week 2: Monday–Friday, March 8–12, 8:45 a.m.–12:30 p.m.
(Instructor present each day)
Color spot oil painting is a method of direct painting developed in the early decades of the twentieth century by Charles Hawthorne and later by his student and assistant, Edwin Dickinson. Although aspects of color spot painting go all the way back to Baroque painting, Hawthorne and Dickinson were the first to organize entire canvases and elaborate compositions by means of the color spot.
A color spot is a piece of color, large or small, that has been observed and abstracted from the appearance of nature and applied directly to the white canvas in discrete notes. Color spot painting is as direct a method as exists––you aim to hit the mark right at first, and not go back (or go back as little as possible) so as not to destroy the integrity of the network of spots.
This workshop will provide an intensive introduction to color spot painting, emphasizing the role of the viewfinder, the plumb line, the relationship between the object and its environment, and how to set up the initial key of the painting.
Florence Workshop
April 23rd - May 8th, 2010
For the fourth year in a row, the Art Students League is sponsoring two-week workshops in Florence, Italy. This year’s trip runs April 23 to May 8, and Ephraim Rubenstein will be leading a workshop.
Students on the trip share comfortable, fully-furnished apartments with kitchens, provided by the League’s partner: Studio Art Centers International (SACI) in Florence. Days mix classes in SACI’s well-equipped studios, outdoor work, trips to museums, independent excursions, and the freedom to experience the beautiful birthplace of the Italian Renaissance and the home of a vibrant contemporary art scene.
In Florence, art is not only in the museums - it is out in the streets. Considered by many to be one of the most beautiful cities in the world, Florence was made famous by the buildings, paintings and sculptures by artists such as Brunelleschi, Michelangelo, Donatello, and Giotto.
Come study and work in the birthplace of the Italian Renaissance. We will paint in the streets, the gardens and along the Arno, and visit the churches, museums, and collections that house some of the greatest artworks in the West.
Plein Air Landscape Painting
Section 1: Monday–Friday, June 14–18, 8:45 a.m.–12:30 p.m.
Section 2: Monday–Friday, August 2–6, 8:45 a.m.–12:30 p.m.
Fee per section: $400 (5 sessions). Fee for both sections: $750 (10 session)
This workshop will provide training in direct plein-air landscape painting utilizing various areas in Central Park as a location. The workshop will be open to both beginning students who have never worked outside before, and also to more advanced students who wish to refine their plein-air handling. The course will address such issues as the difference between direct and indirect approaches to oil painting in the landscape, topographical versus atmospheric emphasis, and the notion of space composition. The class will offer practice in handling changing light and weather conditions as well. Students must have a folding French easel, or something similar.
Studio 6 Workshop in Color Spot Oil Painting
Week 1: Monday–Friday, March 1–5, 8:45 a.m.–12:30 p.m.
Week 2: Monday–Friday, March 8–12, 8:45 a.m.–12:30 p.m.
(Instructor present each day)
Color spot oil painting is a method of direct painting developed in the early decades of the twentieth century by Charles Hawthorne and later by his student and assistant, Edwin Dickinson. Although aspects of color spot painting go all the way back to Baroque painting, Hawthorne and Dickinson were the first to organize entire canvases and elaborate compositions by means of the color spot.
A color spot is a piece of color, large or small, that has been observed and abstracted from the appearance of nature and applied directly to the white canvas in discrete notes. Color spot painting is as direct a method as exists––you aim to hit the mark right at first, and not go back (or go back as little as possible) so as not to destroy the integrity of the network of spots.
This workshop will provide an intensive introduction to color spot painting, emphasizing the role of the viewfinder, the plumb line, the relationship between the object and its environment, and how to set up the initial key of the painting.
Florence Workshop
April 23rd - May 8th, 2010
For the fourth year in a row, the Art Students League is sponsoring two-week workshops in Florence, Italy. This year’s trip runs April 23 to May 8, and Ephraim Rubenstein will be leading a workshop.
Students on the trip share comfortable, fully-furnished apartments with kitchens, provided by the League’s partner: Studio Art Centers International (SACI) in Florence. Days mix classes in SACI’s well-equipped studios, outdoor work, trips to museums, independent excursions, and the freedom to experience the beautiful birthplace of the Italian Renaissance and the home of a vibrant contemporary art scene.
In Florence, art is not only in the museums - it is out in the streets. Considered by many to be one of the most beautiful cities in the world, Florence was made famous by the buildings, paintings and sculptures by artists such as Brunelleschi, Michelangelo, Donatello, and Giotto.
Come study and work in the birthplace of the Italian Renaissance. We will paint in the streets, the gardens and along the Arno, and visit the churches, museums, and collections that house some of the greatest artworks in the West.
Plein Air Landscape Painting
Section 1: Monday–Friday, June 14–18, 8:45 a.m.–12:30 p.m.
Section 2: Monday–Friday, August 2–6, 8:45 a.m.–12:30 p.m.
Fee per section: $400 (5 sessions). Fee for both sections: $750 (10 session)
This workshop will provide training in direct plein-air landscape painting utilizing various areas in Central Park as a location. The workshop will be open to both beginning students who have never worked outside before, and also to more advanced students who wish to refine their plein-air handling. The course will address such issues as the difference between direct and indirect approaches to oil painting in the landscape, topographical versus atmospheric emphasis, and the notion of space composition. The class will offer practice in handling changing light and weather conditions as well. Students must have a folding French easel, or something similar.
Wednesday, February 3, 2010
Exhibition and Reception at Studio 7
Ephraim's work will be included in a new exhibition exploring the human form in contemporary painting this month at the Studio 7 Gallery in Bernardsville, NJ. Please join us for an opening reception on Friday, February 5th, from 6-9 p.m.
Contemporary Masters of the Human Form
Featuring the work of Charlie Churchill, Gary Godbee, Anthony Panzera, Ephraim Rubenstein, Ted Schmidt, Costa Vavagiakis, and Cheryl Wheat
February 3 - 27, 2010
Studio 7 Fine Art Gallery
5 Morristown Road
Bernardsville, NJ 07924
phone: 908-630-9770
www.studio7artgallery.com
Featuring the work of Charlie Churchill, Gary Godbee, Anthony Panzera, Ephraim Rubenstein, Ted Schmidt, Costa Vavagiakis, and Cheryl Wheat
February 3 - 27, 2010
Studio 7 Fine Art Gallery
5 Morristown Road
Bernardsville, NJ 07924
phone: 908-630-9770
www.studio7artgallery.com
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